When Derrick Borte’s crime comedy thriller The Get Out hit select theaters on June 26, 2026, it brought with it a nimble, tension-laced original score from BAFTA-winning composer Bryan Senti — the same musical mind behind the acclaimed series Mood and Save Me.
Starring Russell Crowe, Luke Evans, Teresa Palmer, Nina Dobrev, and Aaron Paul, the film follows an Albanian nightclub boss dragged back into the underworld just as he is on the verge of retirement. While the story is driven by action and dark comedy, Senti’s music sits quietly underneath, threading suspense through the genre’s neon-lit atmosphere. From the opening frames to its crowd-pleasing closing needle drop, the sound design of The Get Out is a key, if understated, ingredient in the film’s appeal.
The Get Out Soundtrack (2026)— Details at a Glance
| Detail | Information |
|---|---|
| Film Title | The Get Out |
| Director | Derrick Borte |
| Screenplay | Derrick Borte & Daniel Forte |
| Based On | Strip (novel by Thomas Perry, 2010) |
| Production Companies | Nickel City Pictures, A Higher Standard, Life & Soul Pictures, Fifth Season, G2 Dispatch, Latigo Films |
| Distributor | Vertical Entertainment |
| Film Release Date | June 26, 2026 (theaters); June 30, 2026 (digital/on demand) |
| Rating | R |
| Runtime | 1 hour 41 minutes |
| Composer | Bryan Senti |
| Soundtrack Label | Filmtrax / Atlantic Screen Music |
| Album Release Date | Pending (listed as upcoming by Film Music Reporter) |
The Get Out Soundtrack Overview (2026)
The score for The Get Out is the work of Bryan Senti, a BAFTA-winning composer whose growing film and television output has established him as one of the more distinctive voices working at the intersection of contemporary classical music and cinematic tension. The soundtrack is being released through Filmtrax/Atlantic Screen Music, as confirmed by Film Music Reporter’s “Now Playing” listings, placing it among a label that specializes in boutique film score releases.
Matching the film’s comic neo-noir sensibility, Senti’s score is built for atmosphere rather than spectacle. The Get Out is a movie about a man trying to quietly exit a dangerous life — and the music reflects that internal pressure, functioning more like a slow coil than an action-thriller blowout. No official tracklist has been released publicly as of this article’s publication, and precise details about the album’s track count and total runtime remain unconfirmed pending a formal announcement from Filmtrax/Atlantic Screen Music.
What is established through the film itself is a musical texture rooted in Senti’s signature blend of contemporary classical sensibility, rhythmic restraint, and layered orchestration — an approach he first developed in concert music and refined across several celebrated television projects. Director Derrick Borte described Senti’s contribution as a “terrific” score in a post-release interview, noting the vital role music played in shaping the film’s pacing and tone.
Who Composed The Get Out Soundtrack (2026)?
The original score for The Get Out was composed by Bryan Senti — a first-generation Colombian-Cuban American composer, multi-instrumentalist, and producer whose career spans screen music, contemporary classical composition, and pop collaboration.
Senti began playing violin at age three and went on to study composition formally at Carnegie Mellon University before earning a Master’s degree in Music Composition from the Yale School of Music in 2009. His roots in classical music shaped a sonic palette that he later applied to the demands of film and television with remarkable versatility.
His screen career began in 2015 with Michael Almereyda’s Experimenter, which premiered at Sundance. The film announced Senti as a composer capable of matching unconventional narratives with equally unconventional scores. He followed that debut with a string of critically regarded projects, including the documentary Giving Voice (Netflix, 2020 — winner of the Sundance Festival Favorite Award) and the Amazon series Transparent, for which he contributed additional music on Season 4 and served as co-composer on the Season 5 Musicale Finale.
His breakout on the international television stage came with Save Me (2021), the BAFTA-winning British crime drama written by Lennie James. Senti co-scored the series alongside frequent collaborator Dustin O’Halloran, earning significant recognition in the UK industry. He then scored Mood (2023) — the BBC Three musical drama created by Nicôle Lecky — for which he received the BAFTA Award for Original Music, one of the most prestigious honors in British screen composition.
More recent projects include the Apple TV+ series Cowboy Cartel (2024) and Bridget Jones: Mad About the Boy (2025), directed by Michael Morris.
Senti has also maintained an active presence as a solo artist. His debut crossover album Manu, released via the French independent label Naïve Records in 2022, earned critical acclaim for its fusion of neo-classical Western traditions with the folk and indigenous music of Latin America. His fourth album, La Marea, followed in October 2024. In the pop space, he has collaborated with Mark Ronson, Rufus Wainwright, and Canadian singer-songwriter Feist, and has worked alongside composers Dustin O’Halloran and Peter Gregson for Deutsche Grammophon.
Currently based in Italy, Senti is represented by Grande Ourse in Europe and Evolution Music Partners in the United States.
The Get Out Official Tracklist
As of the publication of this article, no official tracklist for The Get Out (Original Motion Picture Soundtrack) has been publicly released by Filmtrax/Atlantic Screen Music. The album is confirmed as an upcoming release, listed by Film Music Reporter in its “Now Playing” section, but track titles, individual durations, and total track count have not been disclosed.
This section will be updated once the official tracklist is made available.
Score Highlights
The Get Out operates tonally as a crime comedy with genuine thriller undertones — a tricky balance that requires a score capable of shifting registers without drawing attention to itself. Bryan Senti’s approach to the film reflects his training as a contemporary classical composer: the music rarely calls attention to itself with oversized flourishes but instead works to maintain tension through subtle orchestration and rhythmic layering.
The neon-lit nightclub setting of the film — a Los Angeles club that doubles as a money-laundering front — gives Senti room to blend atmospheric undercurrents with the kind of propulsive energy that suits the film’s action beats. Based on the overall tonal arc of the film as described in multiple reviews, the score likely operates in at least two distinct registers: a cool, understated texture for the domestic scenes centered on Manco Kapak’s retirement plans, and a more assertive pulse for the film’s escalating confrontations and car chase sequences.
Director Derrick Borte, in conversation with the podcast Behind the Lens following the film’s release, specifically praised Senti’s contribution, calling it a “terrific” score and noting its central role in shaping the film’s narrative energy. Cinematographer Brendan Galvin’s decision to lean toward practical effects — particularly in car chase sequences shot almost entirely in-camera — suggests the score was designed to complement grounded action rather than stylized CGI spectacle.
Note: Scene-level cue descriptions are analytically derived from the film’s narrative context and available critical coverage. Individual track titles and scene attributions will be confirmed once the official tracklist is released.
The Get Out Licensed Songs / Needle Drops (2026)
The confirmed licensed songs in The Get Out are limited to one entry as of this article’s publication. A full cue sheet has not been made publicly available.
| Song Title | Artist | Scene Context | Source |
|---|---|---|---|
| “Hotel California” (Spanish version) | Gipsy Kings | Closing sequence of the film | Movie Reviews from the Dark (June 26, 2026) |
The Gipsy Kings’ flamenco-inflected rendition of “Hotel California” — the celebrated Spanish-language cover that the band has performed since the 1980s — plays over the film’s conclusion. The choice is tonally appropriate for a film centering on an Albanian nightclub owner navigating Los Angeles’s crime underworld: warm, slightly ironic, and laced with the feeling of a world that never quite lets you leave.
Trailer Note: Any songs featured in promotional trailers for The Get Out are not included here, as trailer music does not necessarily reflect in-film needle drop usage.
Pending: A full list of all licensed songs used throughout the film awaits official cue sheet release.
Bryan Senti — Selected Filmography
| Year | Title | Medium | Notes |
|---|---|---|---|
| 2015 | Experimenter | Film | Sundance 2015 premiere; debut feature |
| 2014–15 | How to Dance in Ohio | Documentary | Sundance 2015 |
| 2020 | Giving Voice | Documentary (Netflix) | 2020 Sundance Festival Favorite Award winner |
| 2021 | Transparent: Musicale Finale | TV (Amazon) | Co-composer, Season 5 |
| 2021 | Save Me | TV Series (UK) | Co-composer; BAFTA-winning series |
| 2023 | Mood | TV Series (BBC Three) | BAFTA Award for Original Music |
| 2024 | Cowboy Cartel | TV Series (Apple TV+) | |
| 2025 | Bridget Jones: Mad About the Boy | Film | Dir. Michael Morris |
| 2026 | The Get Out | Film | Dir. Derrick Borte |
Sources: IMDb, Grande Ourse agency profile, Evolution Music Partners profile, BroadwayWorld.
Where to Listen to The Get Out Soundtrack (2026)
The Get Out is currently available to watch on digital platforms including Prime Video and Fandango at Home, where it was made available on June 30, 2026 via Vertical Entertainment. The original score by Bryan Senti, released through Filmtrax/Atlantic Screen Music, is expected to be available on major streaming platforms including Spotify and Apple Music, though as of this article’s publication, no specific streaming release date for the standalone album has been confirmed. Fans of Senti’s work can explore his existing catalog — including the albums Manu and La Marea — on Spotify, Apple Music, and other services while awaiting the official soundtrack release.
Frequently Asked Questions
1. Who composed the score for The Get Out (2026)?
The original score for The Get Out was composed by Bryan Senti, a BAFTA-winning Colombian-Cuban American composer based in Italy. He is best known for his work on the BBC series Mood (for which he received the BAFTA Award for Original Music) and the crime drama Save Me.
2. What record label is releasing The Get Out soundtrack?
The soundtrack is being released by Filmtrax/Atlantic Screen Music, as confirmed by Film Music Reporter’s official soundtrack listings.
3. Has the official tracklist been released?
No. As of this article’s publication, Filmtrax/Atlantic Screen Music has not publicly released a full tracklist for The Get Out (Original Motion Picture Soundtrack). Track titles, individual durations, and the total track count remain unconfirmed.
4. What songs are in The Get Out (2026)?
The one confirmed needle drop in the film is the Gipsy Kings’ Spanish-language version of “Hotel California,” which plays during the film’s closing sequence. A full cue sheet has not been publicly released.
5. Where can I watch The Get Out (2026)?
The film is available on digital platforms including Prime Video and Fandango at Home, released on demand on June 30, 2026, via Vertical Entertainment. It had a limited theatrical run beginning June 26, 2026.
6. Where can I stream the score album for The Get Out (2026)?
The soundtrack album has not yet been confirmed as available on streaming platforms. Once Filmtrax/Atlantic Screen Music makes an official announcement, it is expected to appear on Spotify, Apple Music, and other major DSPs.
7. Has Bryan Senti worked with director Derrick Borte before?
No prior collaboration between Bryan Senti and Derrick Borte has been documented. The Get Out marks their first confirmed project together.