| Aspect | Information |
|---|---|
| Film Title | Voicemails for Isabelle |
| Director | Leah McKendrick |
| Studio | Netflix / Sony Pictures / Escape Artists |
| Release Platform | Netflix (Streaming) |
| Release Date | June 19, 2026 |
| Composers | Este Haim, Amanda Yamate |
| Score Label | Netflix Music |
| Score Release Date | June 19, 2026 |
| Total Score Tracks | 24 |
| Score Runtime | 27 minutes, 27 seconds |
| Film Runtime | 119 minutes |
| Licensed Tracks | 27 featured songs |
| Music Supervisor | Season Kent |
Voicemails for Isabelle Soundtrack Overview
The Voicemails for Isabelle soundtrack features an original score composed by Este Haim and Amanda Yamate, alongside an assortment of recognizable licensed tracks. Netflix Music officially released a soundtrack album for the film that is available to stream or download on Amazon, Spotify, Apple Music, and all other major digital music services.
The score was crafted with balance and texture in mind, as Haim and Yamate built a gorgeous backdrop of piano, guitar, synth, and even their own voices in harmony. The composition approach reflects the film’s emotional range—moving between the grief-stricken vulnerability of the protagonist and the tentative hope that emerges through an unexpected cross-country connection. The musical team understood and honored the tradition that the best rom-coms don’t just use music to accompany the story—music becomes part of the romance itself.
Who Composed Voicemails for Isabelle’s Soundtrack?
Este Haim
Este Haim is a GRAMMY-nominated musician, composer, actor, and writer. In 2007, Este and her sisters Danielle and Alana founded HAIM, their all-female rock band in which Este sings as well as plays the bass. HAIM made history in 2021 as the first all-female rock group to be nominated for GRAMMY Album of the Year with their third album, Women In Music Pt. III.
Throughout her music career, Este has collaborated with many artists including Kid Cudi, Charli XCX, Thundercat, and Taylor Swift. Her transition into film scoring began in earnest with her 2021 work on the acclaimed Netflix limited series Maid. In 2021, Este scored the critically acclaimed Netflix limited series, Maid, starring Margaret Qualley. She also completed the score for her first feature film, Cha Cha Real Smooth, starring Dakota Johnson, alongside her composing partner Christopher Stracy.
Selected Esta Haim Filmography:
| Year | Title | Format |
|---|---|---|
| 2021 | Maid | Netflix Limited Series |
| 2022 | Cha Cha Real Smooth | Feature Film |
| 2022 | Do Revenge | Netflix Feature |
| 2023 | You Are So Not Invited to My Bat Mitzvah | Netflix Feature |
| 2023 | Anyone But You | Feature Film |
| 2024 | Suncoast | Feature Film |
| 2026 | Voicemails for Isabelle | Netflix Feature |
Amanda Yamate
Amanda Yamate is a Los Angeles-based composer known for their work across film, television, and documentary projects. Following their work on Netflix’s acclaimed 2022 comedy, Do Revenge, You Are So Not Invited To My Bat Mitzvah marks the second time the two musicians have co-scored a project together. This partnership has become one of the most dynamic in contemporary streaming entertainment music.
Since joining Heavy Duty Projects, Amanda Yamate has collaborated with the company’s Executive Creative Director and 3x Grammy-winning songwriter-producer Ariel Rechtshaid, contributing to original scores for both Max’s Gossip Girl and Disney+’s The Clauses. Earlier in 2023, Yamate also scored the intersex-focused documentary Every. Body., which premiered at Tribeca and arrived in theaters in June.
Selected Amanda Yamate Filmography:
| Year | Title | Format |
|---|---|---|
| 2022 | Do Revenge | Netflix Feature |
| 2023 | You Are So Not Invited to My Bat Mitzvah | Netflix Feature |
| 2023 | Every Body | Documentary Feature |
| 2023 | Gossip Girl | Max Series |
| 2025 | Trap House | Feature Film |
| 2026 | Voicemails for Isabelle | Netflix Feature |
Voicemails for Isabelle Official Score Tracklist
| Track # | Title | Duration |
|---|---|---|
| 1 | Lights – Donna Missal (Licensed Cover) | 3:19 |
| 2 | If You’re a Bird I’m a Bird | 0:43 |
| 3 | Chef Bastien Groupies | 0:52 |
| 4 | Talk About Boundaries | 0:19 |
| 5 | Intercut Dates | 0:48 |
| 6 | Hair in the Tart | 1:18 |
| 7 | Wes Laughs at Voicemail | 0:38 |
| 8 | Midnight Scroll | 0:37 |
| 9 | This Party Sucks Without You | 1:24 |
| 10 | Good Thing I Wasn’t a Boyscout | 0:45 |
| 11 | Chicken Pot Pie | 1:08 |
| 12 | Wes’s Speech | 1:23 |
| 13 | Wes Caught | 2:36 |
| 14 | Phone Reset | 1:23 |
| 15 | Jill & Izzy’s | 0:45 |
| 16 | No Customers | 0:27 |
| 17 | Zella to the Rescue | 0:39 |
| 18 | Lonely Christmas Wes | 0:25 |
| 19 | Lightbulb Moment | 0:34 |
| 20 | Wes Trades His Holy Grail | 1:03 |
| 21 | Wes Runs | 1:30 |
| 22 | Last Voicemails | 1:59 |
| 23 | Credits 1 | 1:22 |
| 24 | Credits 2 | 1:30 |
Total Runtime: 27 minutes, 27 seconds
Voicemails for Isabelle Score Highlights
The instrumental score creates an emotional foundation for the film’s journey through grief and unexpected connection. The score was crafted with equal care, as Haim and Yamate worked with balance and texture in mind.
“Lights” (Donna Missal Cover) Opens the official score album as a bridge between the film’s original composition and its licensed soundtrack. The album also includes Donna Missal’s gorgeous cover of Journey’s “Lights,” which plays a memorable role in the film. Missal’s interpretation brings vulnerability and contemporary sensibility to the classic rock standard, anchoring the film’s emotional arc.
“Wes Caught” (2:36) One of the longer standalone instrumental cues, this piece likely marks a pivotal moment in the narrative where the central conceit—that a stranger has been receiving deeply personal voicemails meant for someone else—reaches a critical juncture. The extended length suggests emotional weight and complexity in orchestration.
“Last Voicemails” (1:59) Positioned near the film’s conclusion, this closing instrumental cue builds toward resolution, featuring the layered instrumentation that defines the Haim-Yamate collaboration throughout.
Licensed Songs & Needle Drops in Voicemails for Isabelle
The film features a carefully curated selection of licensed music that mirrors Jill’s emotional journey from grief to possibility. The soundtrack includes a delightfully unlikely assortment of hits from Taylor Swift, MeShell Ndegeocello, Usher, Kesha, Benson Boone, and Robyn.
Opening & Recurring Themes “Dancing on My Own” by Robyn scores the opening sequence. Young Jill (Alice Comer) and Young Isabelle (Iris Everly) have fun together. The track plays again at 00:04:00 and scores the film’s final moments at 01:48:00. This bookending choice reinforces themes of connection and shared joy—both lost and rediscovered.
Key Needle Drops (Verified)
- “Dancing On My Own” – Robyn (Opening and closing sequence)
- “Almost Happy” – Laces (Jill’s morning routine)
- “To Build A Home” – The Cinematic Orchestra (Hospital scene—emotional turning point)
- “Walking at a Downtown Pace” – Parquet Courts
- “JOYRIDE.” – Kesha
- “Hey Daddy (Daddy’s Home)” – Usher
- “Electric Love” – BØRNS
- “marjorie” – Taylor Swift (Golden Gate Bridge scene with Wes)
- “San Francisco Blues” – Peggy Lee (Location-specific song choice)
- “I Left My Heart in San Francisco” – Tony Bennett (San Francisco-set narrative anchor)
- “Either Way I Lose” – Meshell Ndegeocello
- “Cherish You” – Mikky Ekko
- “Waking Up Slow” (Piano Version) – Gabrielle Aplin
- “Lights” – Donna Missal (Memorable in-film placement)
- “New Year’s Day” – Taylor Swift
- “Look What You Made Me Do” – Taylor Swift
- “Beautiful Things” – Benson Boone
Soundtracked by Taylor Swift’s “Marjorie,” Wes finds Jill at her bench overlooking the Golden Gate Bridge and pretends to be in town on business. This verified scene placement confirms the narrative significance of the song selection.
Where to Listen: Voicemails for Isabelle Soundtrack
The complete score is available digitally through Netflix Music and all major streaming platforms. Listen to the official instrumental score on Spotify, Apple Music, Amazon Music, YouTube Music, and other digital services. The licensed soundtrack featuring all featured songs is also available across these platforms, and a curated Spotify playlist has been created to combine both the original score tracks and the film’s featured licensed music for comprehensive listening.
Voicemails for Isabelle Soundtrack FAQs
1. Who composed the score for Voicemails for Isabelle?
The original score was composed by Este Haim, bassist and vocalist of the Grammy-nominated band HAIM, and Amanda Yamate, a Los Angeles-based film and television composer. This marks the second feature collaboration between the two musicians.
2. Is there an official soundtrack album for Voicemails for Isabelle?
Yes. Netflix Music released the official soundtrack album on June 19, 2026, the same day as the film’s global premiere. The album features 24 tracks of the original instrumental score and is available on all major streaming platforms including Spotify, Apple Music, Amazon Music, and YouTube Music.
3. How many songs are featured in the film?
The film features 27 licensed songs alongside the original score. These range from classic standards like Tony Bennett’s “I Left My Heart in San Francisco” to contemporary hits from Taylor Swift, Robyn, Kesha, and others.
4. What is the runtime of the official score album?
The official score album has a total runtime of 27 minutes and 27 seconds, distributed across 24 instrumental and vocal tracks.
5. When was the soundtrack released?
The official score soundtrack was released digitally on June 19, 2026, coinciding with the film’s global premiere on Netflix.
6. Who is the music supervisor for Voicemails for Isabelle?
The film’s music supervision was handled by Season Kent, known for their work on other Netflix projects including People We Meet on Vacation.
7. What streaming platforms have the soundtrack available?
The official score is available on Spotify, Apple Music, Amazon Music, YouTube Music, and all other major digital music services. The film itself is exclusive to Netflix.
8. Are the licensed songs available on the official score album?
The official Netflix Music score album focuses on the original instrumental score. However, most of the featured licensed songs (from artists like Taylor Swift, Robyn, and Benson Boone) are available on their respective artist pages and in curated playlists.
9. Has Esta Haim scored films before?
Yes. Esta Haim scored the acclaimed 2021 Netflix limited series Maid, and collaborated with composer Christopher Stracy on the feature film Cha Cha Real Smooth. She has also worked on several other film and television projects since 2021.
10. What is the film about musically?
The score balances grief and romance through careful orchestration featuring piano, guitar, and synthesizers. The composers created a layered, emotionally nuanced backdrop that complements the film’s premise about unexpected connection—where communication through voicemails becomes the primary emotional throughline.