Apple TV+’s Widow’s Bay is one of the most talked-about new series of 2026 — a horror–comedy set on a fog-drenched New England island, created by Katie Dippold and starring Matthew Rhys, Kate O’Flynn, Kevin Carroll, Stephen Root, Kingston Rumi Southwick, and Dale Dickey. The show has earned universal acclaim, but beyond the performances and the eerie premise, it’s the music that quietly makes Widow’s Bay unforgettable. From a full orchestral score to carefully chosen needle drops, the series’ sonic identity is impossible to ignore.
Widow’s Bay Soundtrack Overview
| Detail | Info |
|---|---|
| Series Title | Widow’s Bay |
| Created By | Katie Dippold |
| Studio / Production | Apple Studios, Chum Films |
| Platform | Apple TV+ |
| Series Premiere | April 29, 2026 |
| Episode Count | 10 episodes |
| Composer | David Fleming |
| Music Supervisor | Toko Nagata |
| Soundtrack Label | Milan Records |
| Soundtrack Release Date | May 1, 2026 |
| Total Score Tracks | 27 |
| Genre | Horror-Comedy / Folk Horror |
The Widow’s Bay original score album was released digitally on May 1, 2026, through Milan Records — just two days after the series premiered on Apple TV+. The album collects 27 selections of original music composed by David Fleming, offering listeners a full immersive pass through the show’s atmospheric, fog-soaked soundscape.
The score blends tension with dark comedic undercurrents — reflecting the series’ tone as a genre-bending folk horror-comedy. Fleming’s music shifts between unsettling ambient textures, orchestral dread, and wry, lighter passages that mirror the show’s balance between scares and sharp wit. Music supervisor Toko Nagata (One Piece) handled the show’s licensed needle drops, selecting songs that complement the New England island setting with retro, roots-flavored character.
Who Composed the Widow’s Bay Soundtrack?
The Widow’s Bay score was composed by David Fleming, an Emmy-winning American composer based in Los Angeles who has become one of the most in-demand voices in contemporary film and television music.
Fleming studied musical composition at the State University of New York at Purchase. He launched his career at New York advertising companies before winning the BMI Foundation’s Pete Carpenter Fellowship, which brought him to Los Angeles and into the world of major film and television scoring. He went on to collaborate extensively with Hans Zimmer and Remote Control Productions, contributing additional music to projects including Blue Planet II (2017), Dune (2021), Top Gun: Maverick (2022), and Dune: Part Two (2024).
Fleming’s breakthrough as a solo composer came with his work on HBO’s landmark series The Last of Us (2023–present), which he co-scored with Gustavo Santaolalla. That score earned him the ASCAP Screen Music Award for Television Score of the Year in 2024, as well as a World Soundtrack Award nomination for Season 2. His minimalist, texture-driven approach on that series drew widespread critical praise. Also in 2024, his score for Jim Henson: Idea Man won him the Primetime Creative Arts Emmy Award for Outstanding Music Composition for a Documentary Series, while his work on Mr. & Mrs. Smith earned a second Emmy nomination.
On the film side, Fleming co-composed Superman (2025) with John Murphy for James Gunn and DC Studios — a film that grossed over $618 million globally. He also scored The Alto Knights, Damsel, Eternity, and Anaconda (2025). Gunn has since confirmed Fleming’s return for the Superman sequel, Man of Tomorrow.
Widow’s Bay is Fleming’s latest television assignment, and it showcases a new side of his range — leaning into the genre-comedy hybrid with a score that is both chilling and occasionally sardonic.
David Fleming Composer Filmography
| Year | Title | Type | Notes |
|---|---|---|---|
| 2017 | Blue Planet II | TV Series | With Hans Zimmer |
| 2020 | Hillbilly Elegy | Film | With Hans Zimmer |
| 2021 | The Unforgivable | Film | With Hans Zimmer |
| 2023 | The Last of Us (Season 1) | TV Series | With Gustavo Santaolalla |
| 2023 | Americana | Film | Solo |
| 2024 | Damsel | Film | Solo |
| 2024 | Mr. & Mrs. Smith | TV Series | Solo |
| 2024 | Jim Henson: Idea Man | Documentary | Solo — Emmy Winner |
| 2025 | The Last of Us (Season 2) | TV Series | With Gustavo Santaolalla |
| 2025 | Superman | Film | With John Murphy |
| 2025 | The Alto Knights | Film | Solo |
| 2025 | Eternity | Film | Solo |
| 2025 | Anaconda | Film | Solo |
| 2026 | Widow’s Bay | TV Series | Solo |
Widow’s Bay Official Score Tracklist
The following 27-track score album was released on May 1, 2026, via Milan Records. All tracks composed by David Fleming.
- Fog — 1:26
- The Stone Room — 1:35
- The Island — 1:50
- Moonlight — 1:07
- Vacancy — 2:31
- Welcome to Widow’s Bay! — 1:33
- Inaugural Swim — 1:54
- The Sea Hag — 2:22
- Anxiety — 2:15
- Sunset Cocktails — 0:57
- RSVP — 1:48
- Wicked Rager — 3:16
- Marooned — 2:22
- Warrenton 1702 — 1:31
- Beneath the Floorboards — 4:03
- The Curse — 2:53
- Reset — 1:45
- Memento Mori — 1:44
- Pleasure Cruise — 3:12
- Buoys — 2:25
- Boogeyman — 1:31
- The Storm — 2:08
- Batten Down the Hatches — 3:17
- Cyclone — 0:51
- Rain — 2:05
- Tides — 3:52
- Come Back Soon! — 2:23
Score Highlights
“Fog” opens the album and immediately establishes the show’s world — a barely-there ambient drift that suggests something lurking just out of sight. It’s a masterclass in restraint.
“Beneath the Floorboards” is the album’s longest cue at just over four minutes, and arguably its most unsettling. The track builds slowly with low strings and percussive scraping before escalating into full orchestral unease — tailor-made for a horror reveal.
“The Sea Hag” carries an almost mythic weight, suggesting the island’s dark legend with modal harmonies and a recurring melodic motif that threads through several other cues on the album.
“Wicked Rager” (3:16) is one of the album’s most unexpected pieces — its title alone hints at the show’s dark humor, and the track delivers a chaotic, propulsive energy that matches the horror-comedy genre perfectly.
“Tides” is the album’s emotional centerpiece at 3:52, unfolding like a slow-moving wave with lush orchestration before receding into something quieter and more haunting.
“Batten Down the Hatches” (3:17) and “The Storm” work in tandem as the score’s storm sequence — driving, urgent, and relentless, building toward “Cyclone”‘s brief but explosive conclusion.
“Come Back Soon!” closes the album on an ironic note — the title mimicking tourist-town cheerfulness while the music beneath it carries a lingering sense of dread, perfectly summarizing the show’s dual nature.
Widow’s Bay Licensed Songs / Needle Drops
Music supervisor Toko Nagata selected the following confirmed needle drops featured across the first two episodes of Widow’s Bay. This section will be updated as new episodes air weekly through June 17, 2026.
Season 1, Episode 1 — “Welcome to Widow’s Bay!”
| Song | Artist | Scene Context |
|---|---|---|
| “Quality Control” | Jurassic 5 | Three young men are in a parked vehicle; the track plays from the car speakers as the characters react to an electrical outage. |
| “Midnight Special” | Creedence Clearwater Revival | Tom and Patricia meet with Wyck (Stephen Root) at a bar; the song plays in the background during the conversation. |
| “Drive Across America” | Nick Nolan | Plays during an interior scene as a female character walks through a kitchen and remarks on the fog outside. |
Season 1, Episode 2 — “Lodging”
| Song | Artist | Scene Context |
|---|---|---|
| “Pop Vox” | Tele Music | Tom drives a vehicle; the track plays from the speaker system while Patricia admires new Widow’s Bay tourist pamphlets. |
| “Honey Moon House (Build a Bungalow)” | Teri Norton | Tom enters a bar and speaks with Reverend Bryce (Toby Huss) about Wyck; the song plays from the bar’s speakers. |
| “All Alone with the Blues” | Chuck Glaser | Tom chats with bar patrons and agrees to spend one night at an allegedly haunted inn. |
| “Cowboy Coloured Day” | Ron Hynes | Tom talks with William (Tim Baltz) at an inn; the track plays on a record player as the two men sit down to a board game. |
Additional needle drops will be added as the season continues.
Where to Stream the Widow’s Bay Soundtrack?
Widow’s Bay is available to watch exclusively on Apple TV+, with new episodes premiering every Wednesday through June 17, 2026. The series also streams on Peacock in select markets.
The official score album, released by Milan Records on May 1, 2026, is available on all major music platforms, including Spotify, Apple Music, and Amazon Music. Listeners can stream or download the 27-track collection wherever they get their music.
FAQs
Who composed the Widow’s Bay soundtrack?
The original score for Widow’s Bay was composed by David Fleming, an Emmy-winning American composer best known for his work on The Last of Us (HBO), Superman (2025), Jim Henson: Idea Man, and Mr. & Mrs. Smith.
How many tracks are on the Widow’s Bay score album?
The official score album contains 27 tracks of original music composed by David Fleming.
When was the Widow’s Bay soundtrack released?
The Widow’s Bay score album was released digitally on May 1, 2026, one day after its announcement by Film Music Reporter. The series itself premiered on April 29, 2026.
What label released the Widow’s Bay soundtrack?
The score album was released by Milan Records, the renowned film and television music label.
Where can I stream the Widow’s Bay soundtrack?
The score album is available on Spotify, Apple Music, Amazon Music, and other major streaming platforms. The series streams on Apple TV+ and Peacock.
Who is the music supervisor for Widow’s Bay?
The music supervision for Widow’s Bay was handled by Toko Nagata, known for her previous work on One Piece.
What are the notable needle drops in Widow’s Bay?
Confirmed songs featured in the series include “Quality Control” by Jurassic 5, “Midnight Special” by Creedence Clearwater Revival, and “Cowboy Coloured Day” by Ron Hynes, among others across the first two episodes.
Has David Fleming won any awards for his music?
Yes. Fleming won the Primetime Creative Arts Emmy Award for Jim Henson: Idea Man and the ASCAP Screen Music Award for Television Score of the Year for The Last of Us in 2024. He has also received multiple Emmy nominations and other industry honors throughout his career.